Monday, 6 April 2015
Visions of Clair
Just watched the 1977 art-porno Visions of Clair. My thanks yet again to Brad Stevens for introducing me to this utterly bewitching film. I feel one initial screening disqualifies me from saying anything meaningful about the film - Annette Haven's titular heroine, a beautiful model who conjures obsession, lust and jealously in the characters who orbit around her - explores ideas about identity, gender and dualism. I'm not entirely sure if Claire was actually a real person, or simply a projection of the other characters' own preoccupations (even the title of the film misspells her film - surely no accident?). I suspect a second or third screening is required for the film to give up its secrets. Still there was much to enjoy on this first pass of the film - director Zachary Youngblood lends the visuals a striking experimental flavour, the sexual grapplings are often layered together transforming bodies into surreal liquid flesh. Annette Haven is very good too, clearly the best player in the film, and is a rather delicate, ethereal beauty (and it some ways reminded me of Lynn Lowry). But perhaps my favourite aspect of the film was the brilliant electro-acoustic score by the delightfully named Ohm's Law, who appropriately enough, I can't find any info about!